Rock n Music Review.com

January 21, 2009

Darkthrone – A Blaze in the Northern Sky Review

Filed under: Black Metal, Heavy Metal — Tags: , — rocknmusic @ 10:34 pm

It took me a long while to warm up to black metal, because of the fact that it’s a hard genre to warm up to!  Created up there in frozen tundra of Norway, the music illicit nothing but cold chilly feelings, not to mention that it’s completely diabolical and it’s practioners have crossed several societal lines or two. Darkthrone is a band that has allowed me to view this wicked sub-genre of metal from the periphery without full indulging in it’s violent excess.  First off, ABITNS is not your typical white noise, reverb drenched type of music usually associated with the Norwegians.  Darkthrone originated as a death metal band and slowly progressed to the minimal drumming and guitar tremolo-picking style they later incorporated in “Transylvanian Hunger”.  ABITNS has a very strong hard rock feel, particularly with the drumming which has allot of time changes, drum rolls, as well has blast beats and double kicks.  In fact this has as much to do with Joy Division, Goth and punk as it does to later day Norwegian Black metal, which makes it a great choice for anyone interested in sampling this type of music.  This is an energetic, innovative hard-rocking metal record. 4/5.

Orange Goblin – The Big Black Review

Filed under: Doom Metal, Heavy Metal, Retro Metal, Sludge, Stoner Rock, psychedelic — Tags: , — rocknmusic @ 10:32 pm

In the year 2002 with the release of “Coup de Grace”, Orange Goblin became a band without a genre, but back in Y2K “The Big Black” demonstrated the were the best Stoner band in the world…ahh if only they had stuck to it.  Thrashier and more metallic than their previous two efforts, yet still possessing allot of Kyuss worship, this album kicked major stoner arse.  Sludgy doom riffs punctuated with lots of wah-wah and occasional psychedelic break, all performed with precision and expertise.  Lodging heavy notes permanently in your lower brain stem…and your classic lo-fi Billy Anderson mud production, too boot. 5/5

Metallica – Death Magnetic Review

Filed under: Heavy Metal, Thrash — Tags: , — rocknmusic @ 10:31 pm

The new Metallica record is completely pointless and proves they’re completely enamored by their own self-indulgences of the past 15 years, and could care less about keeping up with the times. The mere fact these songs are over 6 minutes and don’t evolve past the opening riff, first verse and chorus prove how arrogant and lazy Metallica has become. Suicide & Redemption is sheer torture, after 50 odd minutes, listening to the lame exchanges between Kirk and Lars, reminded me one final time how boring and predictable they’ve become. Congrats Metallica for setting up the public and making another killing. 2/5

Santana – Lotus Review

Filed under: 70s Hard Rock, Classic Rock — rocknmusic @ 10:30 pm

This double live cd is an example of a visionary guitarist, being “on”.  Unfortunately, this set if often misunderstood by many Santana fans throughout the many years.  Early fans of his rock period, Santana I, Abraxas and III dislike the jazziness and the harsh angular tone of Carlo’s guitar.  Newer fans dislike this for the same reason.  Regardless, Lotus finds Carlos Santana at his creative peak, touring Japan with the new Santana Band, which included keyboardist Tom Coaster in exchange for Greg Rollie.  Following his project with John McLaughlin, “Love, Devotion and Surrender” and the release of Miles Davis “Bitches Brew”, Santana and band made a larger commitment to longer instrumental arranged songs that were complex and integrate.  Carlos, always amazing, is at his best live, and his powers and technique are at full display here.  If a Santana fan, this is an essential acquisition.  New fans should start with “Abraxis” and “Carvanerai” in order to appreciate full the creative peak Santana had scaled for this live set.4/5

Robin Trower – Twice Removed From Yesterday Review

Filed under: 70s Hard Rock, Classic Rock, Doom Metal, Heavy Metal, Stoner Rock — rocknmusic @ 10:29 pm

Robin Trower career began like a super-nova, peaking just a year later with “Bridge of Sighs”.  Here on the debut, he has his forcefully clean telecaster and massive groove on full display.  Often mistakenly sited as a Hendrix imitators, the influence is obvious, however the differences shatter any shallow comparison.  First, Trower music is much heavier with far greater low-end resonance doominess demonstrated throughout most of the tracks.  Trower new how to play slow and sustain to create some of the most beautiful trippy hard rock every laid down to tape.  Secondly, Trower had James Dewar on vocals, the most overlooked rock singer of the 70’s.  Dewar possessed the muscular dramatic delivery of Jack Bruce and the smooth soulful style of Paul Rodgers, and was unfortunately overshadowed by Trowers brilliant playing his entire career. Production is a little muddy at time however the overall sound is massive and groovy with a little prog-tendency and shredding here and there.  3.5/5

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