Rock n Music Review.com

May 20, 2008

Bon Jovi – Slipper When Wet

Filed under: Hair Metal, Heavy Metal — rocknmusic @ 10:02 pm

7/10 Hate spandex, big hair, make-up and the boys in costume? Well, when you have songwriting as strong Bon Jovi’s “Slipper When Wet”, does it really matter? This album represents the relentless pursuit of a good time. An old fashioned rock n roll record that gets you hoppin, and just enough of a surprise “Wanted Dead or Alive”, to make it a classic. Def Leppard were Jon and Ritchie’s only competition for this type of slick hair metal. Lap it up, puppies.

High on Fire – Death is the Communion

Filed under: Doom Metal, Heavy Metal, Sludge, Stoner Rock, psychedelic — rocknmusic @ 10:00 pm

9/10. This is a demonic hippy love fest. It’s not thrash, its not stoner, but it’s very doomy, heavy and psychodelic. Imagine Jimi Hendrix reborn in molten lava from the Valley of the Ords. “Communion” ranks up there with the greatest metal releases of the new millinium. Matt Pikes classic wall of heavy metal is enhanced with Eastern rhythms, adding melody and believe it or not, beauty and grace. The first three cuts, “Fury Whip”, “Waste of Tiamat”, and ‘DITC”, are classic HOF, fast, brutal, brilliant drumming and guitar, made even more impactful due to the crystal clear production. Not content with simply carrying the momentum, the second half ends even stronger with a trio of tunes “Rumors of War”, “Ethereal” and “Return to Nod” are powerful as well as melodious, finding Matt Pike turning in his most affecting vocals and most searing solos since “Holy Mountain”.
High on Fire

May 19, 2008

Megadeth – Killing is My Business

Filed under: Heavy Metal, Thrash — rocknmusic @ 9:16 pm

8/10.  Easily the fastest best performed (played) record, ever. Note I said “best performed”, because no thrashers ever had better technique then Megadeth. Besides being a great guitarist, Dave Mustaine had the intellegence to surround himself with other equally great players. This begs the question, “Who’s rocks greatest lead guitar duo, ever?” Answer: Dave Mustaine and who ever he happens to be paired with at the time. Because of the speed and complexity, to this very day, over 20 years after it’s release, I’m still picking up new riffs in the mix. To top it off, it’s not all speed and time changes, there’s actually a lot of melody in the tunes. The only negative is the cover of “These Boots” which has the profanity beeped out, which happens often enought to ruin another classic thrash jam.

Rock Music is a Virus

Filed under: Misc. — rocknmusic @ 9:01 pm

Rock music, by its very nature, is in a state of constant flux. It constantly evolves by the combination of various content and musical influences, the constant being the traditional drum, bass, guitar, vocal configuration. Early on, it was the combination of blues, gospel and rockabilly. Lyrical content was sexually based, representing subject matter that was taboo to conservative society of the 50’s, creating the rebellious nature of rock n roll. In the early 90’s it was Death Metal, suicide, self-mutilation, etc., followed by Nu-Metal which incorporated some of the rap culture. Obviously, there’s a commercial appeal to this and record companies quickly figured out how to market the good acts, creating a bunch of imitators, flooding the market with product, desensitizing society to what made the bands sound so dangerous in the first place, making rock music, as you noted, “generic”. So like a lethal virus, the next generation of musicians rebel, label the mega-rich rock stars “sellouts” and take the genre to more extreme territory, evolving into a new “strain”. All these sub-genres are new strains, and the best ones look to rock society at its core. That being said, rock music seems to be in a slump. Rap music today has become what rock music used to be.

Jimmy Hendrex – Blue Wild Angel

Filed under: Classic Rock, Stoner Rock, psychedelic — rocknmusic @ 9:01 pm

This review is for the complete double disc version. Captured several weeks before Jimi’s death, The Isle of Wight festival was his last performance and offers a priceless document showcasing Hendrix transition from psychodelic period toward a harder rocking styles displayed on his last full-length, ‘Freedom”. After a rough first half, marred by some technical glitches and lack- luster audience reaction, he comes through big time on the second disk, combining classics like “Foxy Lady” and newer material. High lights include “Message of Love”, “EZY Rider” “Voodoo Chile” and “In from he Storm”. If you get the double deluxe version with DVD of the concert, you can see what Hendrix was up against. For instance, after finally getting on stage after 3 am, Jimi and band tear through “Spanish Castle Magic’ only to hear a virtual silent audience reaction at the end. Also, it’s very strange watching Jimi sling on a black and white Flying-V, instead his trademark Strat. Luckily it only lasts for a couple of tunes. But all-in-all, it’s Jimi’s love of music that propels the performance. Just listen to the walkie-talkie interference during “Machine Gun” and “Foxy Lady”, and how he works it in the groove, creating the first “post-rock” performance. So far ahead of his time.

New York Dolls – Too Much Too Soon

Filed under: Hair Metal, Punk — rocknmusic @ 9:00 pm

If an early 60’s sound were the sole benchmark for punk, then I’d put the NY Dolls ahead of the Ramones and the Sex Pistols because they recorded “Too Much, Too Soon”, back in 1974, with legendary 60’s producer, Shadow Morton. This is also the precursor to Hair Metal.

Blue Oyster Cult – Secret Treaties

Filed under: 70s Hard Rock — rocknmusic @ 9:00 pm

This is the pinnacle of BOC’s career as well as being one of rock music’s greatest achievements. The remastering is spectacular, lending this recording great depth and texture. What’s really killer is when Dharma, Bloom and Lanier line up the guitars and play triple leads left, center and right, creating a layered effect, pushing the framework of modern rock music to boundries its never been to, since. If that’s not enough, you’ve got the tightest rhythm section ever recorded…and keyboards! Secret Treaties is one of the most creative and entertaining progressive rock recording, easily comparable to Ziggy Stardust, Who’s Next, Machine Head, etc. Treaties starts strong, and never lets up, songs flowing seamlessly into each other, creating a unified suite of songs, the last time BOC produced such an “Album Oriented Rock” record, abandonning this approach for uneven albums, and steller singles the rest of their career. Sensing the inevitable ending during the resonating piano of “Flamming Telepaths” and “Astronomy”, I hoped this experience would last another 40 minutes. Instead, when done, I immediately played the cd again…with headphone. Needless to say, this is on my heavy rotation…as well as their debut and Tyranny and Mutation.

Powered by WordPress