Rock n Music Review.com

May 7, 2010

Beatles Vs The Rolling Stones Pt. 2

Filed under: 70s Hard Rock, Classic Rock, Misc., Pop Music, the rolling stones — Tags: , — rocknmusic @ 4:27 pm

The best bands are the ones that are most influential, outside of their era. That’s what you call timeless. The Stones created modern rock music and flourished, while the Beatles collapsed. A big reason why the Beatles couldn’t survive in this new era was because they didn’t possess the level of musicianship of the Stones, the Who, Cream, Jim Hendrix, etc. The era of the Beatles’ simple pop tunes (Eleanor Rigby, etc.) gave way to the Super Group, so realizing they were no match musically, they wisely quit. Left alone at the top, the Stones went on to influence many bands including Aerosmith and AC/DC (Bon Scott era), both harder rocking rhythm and blues bands. Motorhead then took hard rock R&B and speeded it up. Metallica followed Motorhead and added and Industrial influence, turning the rhythm guitar into a jackhammer and turning the blues based guitar solos into a tour de force blitz krieg. After Metallica, Sepultura elevated the guitar rhythms to an extreme level. The core groove or “head-banging” experienced in thrash and first generation of death metal all directly relates back to the R&B hard rock created by Stones. On the other hand, the Beatles influence died with them in the late 60’s.

Mick Taylor Vs. George Harrison

Taylor would have slaughtered Harrison and would have held his own against Clapton.  If you don’t think Harrison was mediocre at best, consider these two things.

1.) The documentary “Let it Be” documents the trouble Paul had getting Harrison to play the guitar parts for his songs. He complained that every time he tried suggest how the part was to be played, Harrison would give him the attitude, “I’m George Harrison…you can’t tell me how to play!”, and would end up doing it his way.

2.) Between the recording of Let it Be and Abbey Road, Lennon began forming the Plastic Ono band featuring Clapton himself. If Harrison was so great, why would Lennon even consider forming a Supergroup with Clapton, while still a Beatle? Lennon also included Alan White, a real rock drumer. At this point, I won’t even get into Ringo/Watts comparasons.

The art in rock music is that it totally subverts what’s accepted as normal popular music. Do I really have to explain that? By nature, it’s politically incorrect, and challenges the pop culture of what’s accepted. For instance, “Brown Sugar” was ballsy then, and it’s still ballsy today. In fact, no radio station will play it. On the other hand, “Elenear Rigby” can be heard in super-markets and dentist offices because it’s soothing and harmless.

March 31, 2010

35 Greatest Guitar Songs of All Time

1. Megadeth – Hanger 18
2. UFO – Rock Bottom
3. The Allman Brothers Band – “Whipping Post”
4. Lou Reed – The Blue Mask
5. Black Sabbath – “Supernaut”
6. The Clash – Complete Control
7. Mountain – Mississippi Queen
8. Ted Nugent – Stranglehold
9. Robin Trower – Too Rolling Stoned
10. Echo and the Bunneymen – With a Hip
11. BOC – Godzilla
12. Queen – Stone Cold Fever
13. The Stooges – Loose
14. Faith no More – War Pigs
15. Band of Gypsies – Power of Love
16. Janes Addiction – Pigs in Zen
17. Montrose – Rock Candy
18. Foghat – I Just Want to Make Love to You
19. Yes – Siberian Khatru
20. Bad Company – Deal With the Preacher
21. Boris – Rattlesnake
22. Deep Purple – “Smoke on the Water”
23. Motorhead – Ace of Spades
24. Black Label Society – All For You
25. Gang of Four – To Hell w/ Poverty
26. Michael Jackson – “Beat It”
27. Melvins – Revolve
28. Hot Tuna – Funky #7
29. King Crimson – 21st Century Schizoid Man
30. Scorpions – Speedy’s Coming
31. Kiss – “Strutter”
32. Aerosmith – Nobody’s Fault
33. QOTSA – Song For the Deaf
34. Red Hot Chilli Peppers – If You Have to Ask
35. Velvet Underground – Sister Ray
BONUS – The Cult – Love Removal Machine

Beatles Vs The Rolling Stones

Filed under: 70s Hard Rock, Classic Rock, Pop Music, the rolling stones — rocknmusic @ 8:52 pm

It’s the guitar, stupid! The Stones invented the rhythm/lead guitar combination with Jones/Richards and perfected it when Mick Taylor arrived. They laid the foundation for thrash and death metal. Hetfield/Hammett, Cavalera/Kisser, Peterson/Skolnick, King/Hanneman all used the same rhythm guitarist and soloist setup. Not to mention Beggar Banquet, Let it Bleed, Get Your Ya Yas, Stickey Fingers, Exile on Main St., and It’s Only Rock N Roll … six consecutive masterpieces produced by the hottest band ever. In fact, they were on such a roll, they caused the collapse of a national government. Did I mention the Stones are the world greatest rock n’ roll band?

Harrison was never considered a great soloist and consequently Beatle tunes are not remembered for their guitar work. Yes other bands had two guitarists, but it was the Stones who first featured a blues soloist and rhythm guitarists and structured their songs around them. When Taylor joined up, it was like the Stones getting Eric Clapton…their state of the art fret master. In fact it was the Stones who influenced the Beatles in this department when George and John started to jam Stones-like on the last song of Abbey Road, which was part of Lennon’s scheme to try to bring the Beatles into the “purer” harder rock territory of the Stones.

The Beatles string of albums are very respected, but compare the themes explored within them. On the one hand you got “Fixing a Hole”, “Ticket to Ride”, “Penny Lane”, “She’s Leaving Home”, basically a bunch of sappy, banal, personal stuff, and on the other hand you got “Sympathy for the Devil”, “Street Fighting Man”, “Bitch” and “Brown Sugar”, tough songs digging into the dark side of the human psyche which ushered in the dark era of rock n roll. The Stones were the first princes of Darkness and as you mentioned also paved the way for Sabbath, Zepplin and Deep Purple. The Stones and their “dark aura” dominated the 60’s and 70’s as well as still being influential today. I think it’s obvious that in the mythical battle between good vs evil, between light and dark, between the Beatles and the Stones…the Stones have won.

But, if I was forced to boil it down to one thing, the Beatles don’t have a song as good as “Satisfaction”.

As far toppling a government, Maggie Trudeau, the first lady of Canada decided to ditch your husbands re-election campaign so she could get banged by Woodie.

November 6, 2009

The Faces – Most Under-rated Band Ever?

Filed under: 70s Hard Rock, Classic Rock — Tags: , , — rocknmusic @ 4:50 pm

Faces, w/Rod Stewart and Ronnie Wood had a boat load of highly influential and great songs. Their best rockers are => than the Stones.  Always casual and loose, the band possessed a genuine quality in their music, which was also bolstered by the fact that Ronnie Wood had incredible chops as lead guitarist, creating a seamingly endless run of tasteful riffs and slide guitar.  No wonder Keith Richards fought so hard to bring him into the Rolling Stones.  Unfortunately for the Faces, the never produced a classic record, and were disrupted by Rod Stewart, who managed a very successful solo career during his tenure with the band, often saving some of his best songs for his solo outings.  Consequently, the Faces are best experience in one of several compilations that are available.  If your looking for something conciese and to the point, there’s “Good Boys When There Asleep”.  If your looking for something more, there’s the 4 CD box set ” Five Guys Walk Into a Bar”, which includes all the songs in “Good Boys..” plus live cuts, out-takes and rarities.

 

September 25, 2009

Thin Lizzy Album Review Live and Dangerous

Filed under: 70s Hard Rock, Classic Rock — Tags: , — rocknmusic @ 8:30 pm

Live and Dangerous is a very slick show and has got the great Phil Lynot come on line to the chicks…” Anybody got a little Irish in them”. The chicks begin to scream “Yea!”. Lynot concludes…”Anybody want a little MORE Irish in them?” Great 70’s rockers, love China Town and Bad Reputation.

Led Zepplin Album Reviews

Led Zep I, IV and Physical Graffiti what’s not to like?   Obviously this will go back and forth. Led Zep IV has to be the definitive Zep CD, but Graffiti is their most interesting and has a ton of great material…I’m disc 1 is a masterpiece by itself. But sometime, I prefer the raw power of the debut.  I’ll admit watching Robert Plant perform during this era was humorous, since lead singers back then were more in touch with there girly side (and he was the most girly of them all). Nevertheless, these are the finest most varied and textured hard rock performances that I can think of. Page was an efficient, tasteful and creative producer, never wasting a note and always keeping the arrangements and music interesting and energetic.  Physical Graffiti is a great album, but Plants voice had noticeably weakened due to constant touring. IV is their diverse and well rounded masterpiece, but I love I and II. The bottom end, riffs, and Plant singing at full force are going to make those classics hold up forever.

Queen Album Review Queen I

Filed under: 70s Hard Rock, Classic Rock, Heavy Metal, Prog Rock — Tags: , — rocknmusic @ 8:26 pm

Of all the fine Queen LP’s, I prefer the debut the most  (Sheer Heart Attack is a very close 2nd).  I was a little disappointed with Opera because it was a consolidation of all the ideas in the first three albums.   Queen I’s wildly progressive individual songs weave in and out of operative pop melodies and progressive soloing.  Other than Keep Yourself Alive and Liar, which are straightforward hard rock tunes, the rest adventurously alternate between various styles, complex and simple, requiring repeated listening.  The followup II is also excellent.

Deep Purple Album Review Come Taste the Band

Filed under: 70s Hard Rock, Classic Rock, Heavy Metal — Tags: , — rocknmusic @ 8:15 pm

Deep Purple raged. Another era (or MARK IV, V, I can’t keep track) that gets overlooked was the Come Taste The Band line-up, which featured guitar whiz extraordinaire, Tommy Bolin. Very funky, very fiery style. This is a very tasty and melodically funky album whose bright mood is a stark departure from the catastrophic fear generating “Burn” and “Stormbringer”.   During their hey-day, they failed to put together back to back classic, but In Rock, Machine Head, and Burn and Come Taste the Band are expertly played and inspired hard-rock albums.

January 21, 2009

Santana – Lotus Review

Filed under: 70s Hard Rock, Classic Rock — rocknmusic @ 10:30 pm

This double live cd is an example of a visionary guitarist, being “on”.  Unfortunately, this set if often misunderstood by many Santana fans throughout the many years.  Early fans of his rock period, Santana I, Abraxas and III dislike the jazziness and the harsh angular tone of Carlo’s guitar.  Newer fans dislike this for the same reason.  Regardless, Lotus finds Carlos Santana at his creative peak, touring Japan with the new Santana Band, which included keyboardist Tom Coaster in exchange for Greg Rollie.  Following his project with John McLaughlin, “Love, Devotion and Surrender” and the release of Miles Davis “Bitches Brew”, Santana and band made a larger commitment to longer instrumental arranged songs that were complex and integrate.  Carlos, always amazing, is at his best live, and his powers and technique are at full display here.  If a Santana fan, this is an essential acquisition.  New fans should start with “Abraxis” and “Carvanerai” in order to appreciate full the creative peak Santana had scaled for this live set.4/5

Robin Trower – Twice Removed From Yesterday Review

Filed under: 70s Hard Rock, Classic Rock, Doom Metal, Heavy Metal, Stoner Rock — rocknmusic @ 10:29 pm

Robin Trower career began like a super-nova, peaking just a year later with “Bridge of Sighs”.  Here on the debut, he has his forcefully clean telecaster and massive groove on full display.  Often mistakenly sited as a Hendrix imitators, the influence is obvious, however the differences shatter any shallow comparison.  First, Trower music is much heavier with far greater low-end resonance doominess demonstrated throughout most of the tracks.  Trower new how to play slow and sustain to create some of the most beautiful trippy hard rock every laid down to tape.  Secondly, Trower had James Dewar on vocals, the most overlooked rock singer of the 70’s.  Dewar possessed the muscular dramatic delivery of Jack Bruce and the smooth soulful style of Paul Rodgers, and was unfortunately overshadowed by Trowers brilliant playing his entire career. Production is a little muddy at time however the overall sound is massive and groovy with a little prog-tendency and shredding here and there.  3.5/5

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